North by Northwest (1959)

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North by Northwest (1959)

Mystery | Thriller
8 / 10
Release Date
08 July 1959
2 : 16 minutes
Spoken Language
Advertising man Roger Thornhill is mistaken for a spy, triggering a deadly cross-country chase.

Cast Overview :

Roger O. Thornhill
by: Cary Grant
Eve Kendall
by: Eva Marie Saint
Phillip Vandamm
by: James Mason
Clara Thornhill
by: Jessie Royce Landis
The Professor
by: Leo G. Carroll
Vandamm's Sister aka Mrs. Townsend
by: Josephine Hutchinson
Lester Townsend
by: Philip Ober
by: Martin Landau
by: Adam Williams
Victor Larrabee
by: Edward Platt
by: Robert Ellenstein
by: Les Tremayne
Dr. Cross
by: Philip Coolidge
Sergeant Flamm
by: Patrick McVey
Captain Junket
by: Edward Binns
Charley - Chicago Policeman
by: Ken Lynch
Anna, the menacing housekeeper (uncredited)
by: Nora Marlowe
Maggie - Thornhill's Secretary (uncredited)
by: Doreen Lang
Sergeant Emile Klinger (uncredited)
by: John Beradino
Ticket seller (uncredited)
by: Ned Glass
State Police Detective (uncredited)
by: Tol Avery
Man at Prairie Crossing (uncredited)
by: Malcolm Atterbury
Hotel maid Elsie (uncredited)
by: Maudie Prickett
Plaza Hotel lounge patron (uncredited)
by: Bess Flowers
Lieutenant Harding (uncredited)
by: Stanley Adams
Farmer (uncredited)
by: Andy Albin
Porter on Twentieth Century Ltd. (uncredited)
by: Ernest Anderson
Herman Weltner (uncredited)
by: Frank Wilcox
Man at Auction (uncredited)
by: Brandon Beach
Man at Auction (uncredited)
by: Steve Carruthers
Shaving Man (uncredited)
by: Taggart Casey
Auction Attendant (uncredited)
by: Bill Catching
U.S. Intelligence Agency Official (uncredited)
by: Walter Coy
Taxi Driver #1 (uncredited)
by: Jimmy Cross
Hospital Patient (uncredited)
by: Patricia Cutts
Train Steward (uncredited)
by: Jack Daly
Police Lieutenant (uncredited)
by: John Damler
U.S. Intelligence Agency Official (uncredited)
by: Lawrence Dobkin
Eddie - Elevator Starter (uncredited)
by: Tommy Farrell
Train Passenger (uncredited)
by: Jesslyn Fax
Bald Bidder (uncredited)
by: Adolph Faylauer
Second United Nations Receptionist (uncredited)
by: Sally Fraser
Lieutenant Hagerman (uncredited)
by: Paul Genge
Man at Auction (uncredited)
by: James Gonzalez
Silent State Police Detective (uncredited)
by: Tom Greenway
Man at United Nations Building (uncredited)
by: Robert Haines
Train Passenger (uncredited)
by: Stuart Hall
Man Who Misses Bus
by: Alfred Hitchcock
Hotel Lounge Patron (uncredited)
by: Stuart Holmes
Security Guard at Auction (uncredited)
by: Eugene Jackson
Waiter (uncredited)
by: Bobby Johnson
Man Leaving Office Building (uncredited)
by: Kenner G. Kemp
Mrs. Finlay (uncredited)
by: Madge Kennedy
Man at Auction (uncredited)
by: Colin Kenny
Man at United Nations Building (uncredited)
by: Carl M. Leviness
Judge Anson B. Flynn (uncredited)
by: Alexander Lockwood
Taxi Driver (uncredited)
by: Frank Marlowe
Taxi Driver #2 (uncredited)
by: Baynes Barron
Train Passenger (uncredited)
by: Thomas Martin
Plaza Valet (uncredited)
by: James McCallion
Attendant (uncredited)
by: Maura McGiveney
Hotel Clerk (uncredited)
by: Carl Milletaire
Man at United Nations Building (uncredited)
by: Hans Moebus
Conductor on Twentieth Century, Ltd. (uncredited)
by: Howard Negley
Man at United Nations Building (uncredited)
by: Monty O'Grady
Bellhop (uncredited)
by: Ralph Reed
Train Passenger (uncredited)
by: John Roy
Hotel Lounge Patron / Man at Mt. Rushmore Cafeteria (uncredited)
by: Jeffrey Sayre
Man at Auction (uncredited)
by: Scott Seaton
Victor - Captain of Waiters (uncredited)
by: Harry Seymour
Larry Wade (uncredited)
by: Robert Shayne
Policeman at Grand Central Station (uncredited)
by: Jeremy Slate
Assistant Auctioneer (uncredited)
by: Olan Soule
Bidder (uncredited)
by: Helen Spring
Stockbroker (uncredited)
by: Harvey Stephens
Assistant Conductor (uncredited)
by: Harry Strang
Man at Auction (uncredited)
by: Arthur Tovey
Ranger (uncredited)
by: Dale van Sickel
Minor Role (uncredited)
by: Lloyd Williams
Patrolman Waggoner (uncredited)
by: Robert B. Williams
Woman at Auction (uncredited)
by: Paula Winslowe
Photographer at United Nations (uncredited)
by: Wilson Wood
Fanning Nelson (uncredited)
by: Carleton Young
Courtroom Spectator (uncredited)
by: Dick Johnstone
Man at United Nations Building (uncredited)
by: Bert Stevens
Worker (uncredited)
by: Cosmo Sardo
Worker (uncredited)
by: Don Anderson
Man at United Nations Building (uncredited)
by: Alphonso DuBois
Police Lieutenant (uncredited)
by: Len Hendry

Member Reviews :

North by Northwest is famous for its famous action sequences such as hanging on Mount Rushmore and the crop duster plane scene. Essentially it is a film of mistaken identity as advertising executive Roger Thornhill (Cary Grant) is mistaken for George Kaplan by some bad guys in league with a foreign power presumably Russian. The trouble is Kaplan is a made up operative created by the CIA to flush out the film's villain, the urbane but deadly Vandamm (James Mason) and his cronies such as the fey henchman Leonard (Martin Landau) who are out to get Thornhill. Thornhill in order to prove his innocence must evade capture from the bad guys and also the police as he is wanted by everyone. Only a beautiful blonde Eve (Eva-Marie Saint) aids him in this cross country chase but she is more than an innocent bystander as she might be in league with Vandamm. This is an escapist action film that mixes tension with some comedy and Grant was always adept with light comedy. The film is overlong, it just feels 15 minutes too long and the villains motives seems to be rather cloudy.
I hate user/critic review websites strictly because of movies like this. People will go see like, Gran Torino, be entertained, admire a couple symmetrical shots and smooth camera pans or whatever, and rate the thing a 4.5/5, 9/10, 95%, etc. But then there are movies that have a ten minute chase scene with Cary Grant scaling down Mount Rushmore, every second of which you're screaming at the screen. Of course my most pompous entry is for an Alfred Hitchcock. But please, for progeny's sake, save the high ratings for ones that earn em
Sometimes the truth does taste like a mouthful of worms. Roger O Thornhill is a harmless and amiable advertising executive who is absurdly mistaken for a government agent by a gang of ruthless spies. Forced to go out on the lam, Thornhill lurches from one perilous scenario to another. Can he survive to prove his innocence? Is the gorgeous blonde who is helping him really a friend? All will be revealed in Alfred Hitchcock's majestic thriller. If deconstructing it you find that this isn't a perfect Hitchcock movie, for it under uses James Mason's coolly vile Phillip Vandamm (which is a crime), and it also doesn't have a female lead acting with any great urgency since Eva Marie Saint as Eve Kendall fails to fully fulfil the promise of Kendall's arrival in the movie. Yet this film rightly earns the right to be on any critics top 100 list, to be a favourite amongst the legion of Hitchcock fans (of which I'm one of that number), for it is escapist entertainment in its purest form, Hitchcock's most accessible popcorn entertainment piece. From the moment at the film's opening when you hear Bernard Herrmann's wonderful music, it's enough to send goose pimples all over the body. For it is a musical portent that signifies we are about to get a fusion of thrills, mystery, and some cheeky Hitchcock humour, accompanied by heroes and villains all condensed purely for our enjoyment. Fronted by a diamond Cary Grant performance as the man wrongly mistaken for another that leads to him being pursued frighteningly across the states, the pic is never found wanting for genre high points. Coming as it did after the darkly brilliant and soul sapping Vertigo, Hitchcock clearly wanted to hang loose and enjoy himself. Working from a fabulous script by Ernest Lehman, North By Northwest's very reason for being is purely to entertain those wanting to invest a frame of mind with it, with Hitchcock cunningly putting us on side with what is ultimately a shallow character in Grant's Roger O (the O doesn't stand for anything) Thornhill. It's a neat trick from the master of trickery and devilment. Some of the scenes on show are now almost folk lore such is the esteem in which they are held by movie fans and makers alike. A crop dusting aeroplane attack (the prelude to which has those goose pimples popping up in anticipation), a pursuit on Mount Rushmore and the often forgotten drunk car on a cliff sequence, these are all trade mark pieces of work from Hitchcock. North By Northwest is in my humble opinion one of the true greats of cinema history, where as bleak and as unnervingly brilliant as Vertigo was the previous year, this is the polar opposite in structure and fable, but the result is most definitely equally as great. One of the reasons I fell in love with cinema in fact. 10/10
  John Chard
***It has its points of interest, but any 60’s Bond flick is a better choice*** When an ad executive in Manhattan (Gary Cooper) is mistaken for a government agent by a foreign spy & his cronies (James Mason, et al.) he finds himself a fugitive traveling by train to Chicago wherein he meets a woman that seems to have his favor (Eva Marie Saint). After a curious encounter with a crop dusting plane everything culminates at Mount Rushmore, South Dakota. "North by Northwest" (1959) is an adventure/thriller by Hitchcock with a huge reputation. It obviously influenced the James Bond flicks of the 60s, which started three years later with “Dr. No” (1962), but it’s very toned down by comparison because the hero in this case is not a trained spy. It’s entertaining to a point, but also seriously overrated due to some glaring problems… Jessie Royce Landis plays the protagonist’s mother when she was only a little over 7 years older than Cooper and it’s too obvious; the story drags too much at this point (when he’s hanging out with his mother); his chance meeting with a key character on the train (Saint) is too coincidental; their make-out sessions are premature, unconvincing and painfully dull; what happens to the plane is stupefying; the crop dusting encounter supposedly takes place in rural Indiana when it’s clear that it’s nowhere within a thousand miles of Indiana (actually it was shot at the southern end of Central Valley, California, outside of Bakersfield); speaking of which, the geography is too noticeably disingenuous: e.g. during the drunk driving episode there are no cliffs like that on Long Island (it was actually shot at Potrero Valley, Thousand Oaks, CA, and obviously so). Still, there’s enough good here to enjoy if you favor Hitchcock & the cast and don’t mind quaint movies. The film runs 2 hours, 15 minutes (unnecessarily overlong). GRADE: B-/C+