Schindler's List (1993)
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Schindler's List (1993)


Genre
:
Drama | History | War
Rating
:
8.616 / 10
Release Date
:
30 November 1993
Resolution
:
1920x1080
Duration
:
3 : 15 minutes
Spoken Language
:
Deutsch, Polski, עִבְרִית, English
Status
:
Released
Overview
:
The true story of how businessman Oskar Schindler saved over a thousand Jewish lives from the Nazis while they worked as slaves in his factory during World War II.

Cast Overview :

Oskar Schindler
by: Liam Neeson
Itzhak Stern
by: Ben Kingsley
Amon Göth
by: Ralph Fiennes
Emilie Schindler
by: Caroline Goodall
Poldek Pfefferberg
by: Jonathan Sagall
Helen Hirsch
by: Embeth Davidtz
Wiktoria Klonowska
by: Malgorzata Gebel
Marcel Goldberg
by: Mark Ivanir
Ingrid
by: Béatrice Macola
Julian Scherner
by: Andrzej Seweryn
Rolf Czurda
by: Friedrich von Thun
Investor
by: Jerzy Nowak
Albert Hujar
by: Norbert Weisser
Danka Dresner
by: Anna Mucha
Mila Pfefferberg
by: Adi Nitzan
Leo Rosner
by: Piotr Polk
Josef Bau
by: Rami Heuberger
Rabbi Menasha Lewartow
by: Ezra Dagan
Diana Reiter
by: Elina Löwensohn
Julius Madritsch
by: Hans-Jörg Assmann
Rudolf Höß
by: Hans-Michael Rehberg
Dieter Reeder
by: August Schmölzer
Josef Mengele
by: Daniel Del-Ponte
Josef Leipold
by: Ludger Pistor
Girl in Red
by: Oliwia Dabrowska
Wilek Chilowicz
by: Shmuel Levy
Herman Toffel
by: Krzysztof Luft
Leo John
by: Harry Nehring
Juda Dresner
by: Michael Schneider
Chaja Dresner
by: Miri Fabian
Mordecai Wulkan
by: Albert Misak
Mrs. Nussbaum
by: Aldona Grochal
Henry Rosner
by: Jacek Wójcicki
Manci Rosner
by: Beata Paluch
Chaim Nowak
by: Uri Avrahami
Goeth's Girl
by: Magdalena Komornicka
Mr. Nussbaum
by: Michael Gordon
Rebecca Tannenbaum
by: Beata Deskur
Investor
by: Leopold Kozlowski
Nuisa Horowitz
by: Magdalena Dandourian
Garage mechanic
by: Shabtai Konorti
Mr. Löwenstein
by: Henryk Bista
DEF foreman
by: Tadeusz Bradecki
Lisiek
by: Wojciech Klata
irrational woman
by: Ewa Kolasińska
Regina Perlman
by: Bettina Kupfer
Mietek Pemper
by: Grzegorz Kwas
Investigator
by: Vili Matula
Doorman
by: Stanislaw Koczanowicz
Majola
by: Geno Lechner
Club singer
by: Beata Rybotycka
Nightclub maître d’
by: Branko Lustig
Treblinka Commandant
by: Artus-Maria Matthiessen
Waiter
by: Eugeniusz Priwieziencew
Montelupich Colonel
by: Michael Z. Hoffmann
Waffen-SS officer
by: Erwin Leder
Wilhelm Kunde
by: Jochen Nickel
Dr. Blancke
by: Andrzej Welminski
DEF SS Officer
by: Marian Glinka
SS Sgt. Kunder
by: Grzegorz Damięcki
DEF guard
by: Stanisław Brejdygant
Auschwitz guard
by: Olaf Lubaszenko
Auschwitz guard
by: Haymon Maria Buttinger
Auschwitz guard
by: Peter Appiano
Brinnlitz guard
by: Jacek Pulanecki
Gestapo officer
by: Tomasz Dedek
Waffen-SS man
by: Martin Semmelrogge
Gestapo officer
by: Tadeusz Huk
SS bureaucrat
by: Alexander Held
Ukranian guard
by: Piotr Cyrwus
Gestapo clerk Klaus Tauber
by: Joachim Paul Assböck
Border guard
by: Osman Ragheb
German clerk
by: Maciej Orłoś
Toffel’s secretary
by: Marek Wrona
Scherner’s secretary
by: Zbigniew Kozłowski
Czurda’s secretary
by: Marcin Grzymowicz
Bosch
by: Dieter Witting
Czurda’s girl
by: Agnieszka Krukówna
Polish girl
by: Anemona Knut
Brinnlitz girl
by: Agnieszka Wagner
Russian officer
by: Jan Jurewicz
Plaszow depot SS guard
by: Wiesław Komasa
SS NCO
by: Martin Bergmann
SS NCO
by: Wilhelm Manske
SS NCO
by: Peter Flechtner
SS NCO
by: Sigurd Bemme
Ghetto woman
by: Etl Szyc
Ghetto woman
by: Lucyna Zabawa
Old Jewisch woman
by: Ruth Farhi
Old Ghetto man
by: Jerzy Sagan
Depot prisoner
by: Dariusz Szymaniak
Clerk at depot
by: Dirk Bender
Black marketeer
by: Maciej Winkler
Black marketeer
by: Radosław Krzyżowski
Black marketeer
by: Jacek Lenczowski
Ghetto doctor
by: Hanna Kossowska
frantic woman
by: Maja Ostaszewska
Stable boy
by: Sebastian Skalski
Pankiewicz
by: Ryszard Radwański
Man in pharmacy
by: Piotr Kadlcik
NCO Plaszow
by: Lech Niebielski
Grun
by: Thomas Morris
Engineer
by: Sebastian Konrad
Clara Sternberg
by: Lidia Wyrobiec-Bank
Maria Mischel
by: Ravit Ferera
Ghetto girl
by: Agnieszka Korzeniowska
Ghetto girl
by: Dominika Bednarczyk
Ghetto girl
by: Alicja Kubaszewska
Ghetto man
by: Danny Marcu
Ghetto man
by: Hans Rosner
ksiądz w Brinnlitz
by: Edward Linde-Lubaszenko
Montelupich prisoner
by: Alexander Strobele
Depot master
by: Georges Kern
Plaszow SS guard
by: Alexander Buczolich
Plaszow SS guard
by: Michael Schiller
Plaszow guard
by: Götz Otto
Plaszow SS guard
by: Wolfgang Seidenberg
Plaszow SS guard
by: Hubert Kramar
Plaszow Jewish girl
by: Razia Israeli
Plaszow Jewish girl
by: Dorit Seadia
Plaszow Jewish girl
by: Esti Yerushalmi
Dancer
by: Marta Bizoń
by: Michelle Csitos
young woman
by: Blythe Daniel
Himself—Schindler mourner
by: Janek Dresner
Boy
by: Maciej Kowalewski
little Jewish boy
by: Kamil Krawiec
Woman
by: Zuzanna Lipiec
[obsada aktorska] (nie występuje w napisach)
by: Maria Peszek
Himself—Schindler mourner
by: Leopold Pfefferberg
Himself—Schindler mourner
by: Leopold Rosner
Herself—Schindler mourner
by: Emilie Schindler
German girl
by: Katarzyna Śmiechowicz
Jewish boy
by: Ben Talar
Worker in factory
by: Katarzyna Tlalka
Dolek Horowitz
by: Paweł Deląg
Brinnlitz Man
by: Jeremy Flynn
gestapowiec
by: Sławomir Holland
ss-man, uczestnik likwidacji getta
by: Maciej Kozłowski

Member Reviews :

Directed by Steven Spielberg, the name is enough. He enjoys immense love and justified appreciation. It’s not just a rumour, but his name transcends to million footfalls to theatres and multiple OTT replays. But this movie is special because as a Jew Spielberg felt the pain of Holocaust and thus this was personal. Spielberg’s paternal grandparents were Jews from Ukraine. I really hope things cool down very soon in Ukraine and somebody someday make a film on the crisis in Ukraine. After watching “The Kashmir Files” I felt like watching the list because I wanted to see how we can make better movies without the propaganda. The Kashmir Files is necessary minus the very few political flaws and propaganda it subtly injects into its viewers. Asking the questions is not anti-national and not all JNU people come with an agenda. Kashmir Files tells many truths and ought to be told but also hides a lot of the actual/factual truths. Just like a dictator it blatantly shows only the side they want to without any iota of balance. But Schindler’s List is different because it never lets the bleakness of the Holocaust overwhelm its important theme of fighting for the common good. The director says, “My primary purpose in making Schindler’s List was for education. The Holocaust had been treated as just a footnote in so many textbooks or not mentioned at all. Millions knew little if anything about it. Others tried to deny it happened at all.” Keneally’s best-known work, Schindler’s Ark was published in 1982; also known as Schindler’s List and film released in 1993, tells the true story of Oskar Schindler, a German industrialist who saved more than 1,300 Jews from the Nazis. . Liam Neeson plays very well Schindler however shows his true side that he was a playboy and so on. He was not a saint. He cheated on his wife, drank excessively and spied for Abwehr, the counter-espionage arm of the Wehrmacht (German army), in Czechoslovakia. But the true characteristics of human beings cannot be spliced even in the most fascist regimes. Sometimes character flaws bring in real joy, excitement and belief. Steven Spielberg’s movie, Schindler’s List, while important, impressive and admirable in many respects, tries to show the true face of propaganda and mass bullshit and how an entire nation can be mass brainwashed to fuel hatred amoung it’s people and bring a great nation down. Something India and Indians need to really ponder upon. After Germany invaded Poland in 1939, Oskar Schindler sets up an enamelware factory in Krakow that used a combination of Jewish workers interred by the Germans and free Polish workers. His initial interest, of course, was to make money. But as time went on, he grew to care about his Jewish workers, particularly those with whom he came into contact on a daily basis. In addition, helping Jews became a way to fight against what he viewed as disastrous and brutal policies emanating from Adolf Hitler and the SS. Oskar Schindler convinced German authorities his factory was vital and that he needed trained workers. But Schindler did not author or dictate the list instead, Marcel Goldberg, a Jewish “clerk” compiled it. There is a line in the movie which goes like, “That’s not just good old fashioned Jew hate talk. Its policy now” and it hits hard and makes us aware that nothing has changed in present too. Itzhak Stern, played in the movie by Ben Kingsley was one of the most powerful character more of culmination of lot of people at that time. Oskar Schindler was a great man publicly and a not so great man privately but he saved the lives of more than 1,000 Jews during the Holocaust and that’s why a movie has been made on him. The imperfections in his character and the nuances in the historical record only make his story more remarkable. The movie’s budget was just $22 million. No one had ever made a profitable film about the Holocaust. Spielberg himself didn’t take a salary, calling it “blood money.” Something Vivek Agnihotri and makers of “The Kashmir Files” should ponder upon. As I write this Kashmir Files has already touched 250 Cr. Such sensitive films should come with not just spontanity but also empathy which is found in Spielberg and lacks in Agnihotri’s. This movie reminded me of another Spielberg movies which moved and caved in Bridge of Spies. Bridge was about the fine art of negotiation and the List is about the fine art of “Gratitude” you will hear this word a lot in the Schindler’s List. I felt both the movies very similar and fantastic. The use of black and white cinematography also makes me think of “KOTA FACTORY” both shot in black and white to resemble the dark and hollowness of the subject material. Art does make you uncomfortable and that’s it’s Dharma and Karma but propoganda does give you only the bigoted narration with giving the example that his master is always a good guy. In one scene, Schindler implores Goeth to spray water into the cars on a hot day to help the dehydrated Jews inside. Goeth tells him that to do so would give false hope—a clear implication that the trains deliver Jews to their deaths.The lists become increasingly ominous during sorting exercises to determine who is fit to work or who is “essential” and who is not. Those deemed “unessential” are placed on the list to be evacuated to extermination camps. Stern’s name appears on a list sending him to Auschwitz. When Schindler saves him, an SS officer mentions that it doesn’t matter which Jew gets on the train, and that keeping track of names just means more paperwork. This disregard for names and particularity symbolizes the extent to which the Nazis dehumanized Jews. Schindler’s list is one that saves lives. The Nazis’ lists represent evil and death, but Schindler’s list represents pure good and life. In an ironic twist, the final list in the film is a list that Schindler’s workers give to him—a list of their signatures vouching for Schindler as a good man, to help him if Allied soldiers catch him. The saved in turn become saviors. The one-armed man who thanks Schindler for employing him and making him “essential” is shot in the head by an SS officer as he shovels snow the next day. Blood flows from his head, staining the surrounding snow. In a later scene, Goeth orders the execution of a Jewish woman engineer who tells Goeth of a fatal construction error. Her blood, too, pours from her head and darkens the snow around her. The blood pouring from the victims’ heads is both literally and metaphorically the lifeblood being bled out of the Jewish race. In yet another scene, Goeth attempts to execute a rabbi working at the Plaszów labor camp. The rabbi stays kneeling as Goeth again and again attempts to shoot him in the head. But the gun jams, and the rabbi is spared, symbolizing the tenuous protection the Schindlerjuden had and the fine line between life and death. The film talks about the corruption of not just money but hearts and minds too. It shows us privileges and different aspects of life while keeping humanity before profits and ideologies. Intricacies of personal and professional lives are intertwined here for the good sake. The film ends with – “WHOEVER SAVES ONE LIFE, SAVES THE WORLD ENTIRE.” The actual Oskar Schindler died in 1974 and was buried in Jerusalem on Mount Zion. He is the only former member of the Nazi Party to be honored in this way. He and his wife Emilie were named Righteous Among the Nations by the Israeli government in 1993, something that would be hard to believe could happen without the film highlighting his life. As we all know, Spielberg and the film went on to win several Academy Awards for Schindler’s List, including Best Picture and Best Director. The film also won for Best Screenplay, Best Cinematography, and Best Editing. Spielberg would win another Best Director Oscar for Saving Private Ryan five years later, but for him what happened with Schindler would be his crowning achievement. Schindler’s List is a rare movie whose legacy is just as important as its existence. Perhaps the lasting legacy of the film, aside from tolerance, is the image of the girl in red. During the liquidation of the ghetto scene, we see a little girl wandering. She serves as the person Schindler and the audience fixate on. The weight of the atrocity that we carry as viewers.When prompted to talk about one of the only color moments in the film, the girl in red, Spielberg told USA Today, “In (Thomas Keneally’s) book, Schindler couldn’t get over the fact that a little girl was walking during the liquidation of the Krakow ghetto. While everyone was being put on trucks or shot in the street, one little girl in a red, red coat was being ignored by the SS.” For Spielberg, that came to symbolize the blind eye world leaders turned to the murders going on in Europe. “To me, that meant that Roosevelt and Eisenhower—and probably Stalin and Churchill—knew about the Holocaust… and did nothing to stop it. It was almost as though the Holocaust itself was wearing red.” Same repeats in Ukraine too. Spielberg helped develop and found The Shoah Foundation. It furthered the education and established “The Survivors of the Shoah Visual History Foundation” to document the testimonies of thousands of survivors. For Spielberg, he wanted future generations to have these eyewitness accounts to serve as a permanent record. He hoped that there would never be a time we saw Nazism and fascism on the rise again. The project has collected the testimony of more than 55,000 survivors and witnesses to the Holocaust as well as other atrocities. “It wouldn’t have happened without Schindler’s List,” he said. “The Shoah Foundation wouldn’t exist.” Something the Hypocritic Vivek Agnihotri should think about. I still stand by that “The Kashmir files” should be shown to everyone without propoganda and only one agenda that this atrocities and “Genocide” should not be repeated on any one anywhere. The film is available on Netflix. Go, watch, think. https://letterboxd.com/mayurpanchamia/film/schindlers-list/ https://mayurpanchamia.wordpress.com/2022/03/27/schindlers-list/ https://www.themoviedb.org/review/62405d62706e56005dc24c03
  Mayurpanchamia